Straight to Tea at LitQuake
Fourteen Hills couldn’t resist a front row seat to LitQuake’s discussion between Michelle Tea and Susan Straight (featured inFourteen Hills 18.1) in Z Space’s auditorium on October 11th, 2012. Tea, a memoirist, and Straight, anovelist, sat down to discuss the writing process, fiction, and how and why they write cross-racially. The lucky attendees were invited to listen in on what felt like a cozy but crackling fireside chat. Tea directed, immediately inquiring about Straight’s experience under the tutelage of James Baldwin. Straight emphasized the importance of periphery characters that Baldwin taught her are “the key to the story.”
When the chat turned to process, Straight described novel gestation while driving (Straight lives, teaches, and writes in Riverside, CA), and Tea reflected on how each book must be approached as an original experience. Straight also revealed how writing fiction keeps her nightmares at bay. She said, “Fiction makes me feel better [because] with fiction you can change things.”
During the audience Q&A, Straight addressed her views on writing cross-racially (an in-depth topic in Fourteen Hill’s interview with Straight in issue 18.1), and how one must avoid being the condescending tourist when exploring new cultures or perspectives. Tea agreed, commenting in this regard that Straight runs the risk of either being seen as an asshole for writing cross-culturally or being praised for doing it so well. Despite their notable stage presence, the discussion ended quietly. Straight humbly concluded that to be an author, “you have to be nothing [. . .] like a permeable and invisible membrane.”
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