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Secrets of the Selection Process

  • Jan 22, 2018
  • 2 min read

You may be thinking, what in the hell does Fourteen Hills want in a fiction, poetry, or visual arts submission? According to the editors and faculty advisor Junse Kim, here is an inside look at the selection process at Fourteen Hills:

In a corner office of the Humanities Building at SF State, a few floors above the clamoring students on a soccer field, musical notes from an ice cream truck seep in from cracked windows. Junse sits at his desk in short sleeves, a tie, and eye glasses to divulge some of our secrets. “Our pieces reflect the San Francisco personality. They are progressive, diverse. There’s an openness to experience, inclusiveness,” Junse says.

Sam Burgert, the Fourteen Hills fiction editor, sits at a table in the Creative Writing Graduate Reading room on the fifth floor of the Humanities Building, where literary journals and other books line two of the four walls. Her spectacled face is framed with wavy blue hair. She says we are looking for, “Something that is a little more subversive. We have issues on immigration, we have issues on rape, we have issues on women’s rights. And those are issues near and dear to my heart and culturally relevant to this time.” Timely and culturally relevant pieces have a better chance at the Journal.

Editor-in-Chief, Keith Donnell leans against a table in the Fourteen Hills workroom on the fourth floor. His glasses and locs shift from side to side with his head as he talks. He and Sam have similar sentiments about what belongs in the Journal. They choose underrepresented voices like those of color, women, and the queer community. We search for, “A real expression of humanity. A concern with truth and a desire to bring people together,” Keith says.

A way to see your submissions in the Journal is by familiarizing yourself with the Bay Area and examining the types of literature that come out of here. Authors should take the time to see what we’re all about through previous issues and focus on your genre whether it be experimental fiction, standard fictional narrative, poetry, or creative nonfiction.

“An author that is familiar with Fourteen Hills and knows what literature is produced in the Bay Area is going to have a much better chance than someone who is just clicking a box on Submittable,” Sam says.

Keith does not want anyone to write a piece specifically for the Journal unless you are solicited. Instead, he says to, “Write what feels natural, write what feels authentic and write to you as an individual and if that harmonizes with what we’re looking for, awesome.”

Fourteen Hills is not just about publishing great work, but about contributing to the larger conversation on social and political issues.

“Through exploring difference, we want to make a larger statement about what unites us,” Keith says. Most of our literary work is generated by a close-knit community of writers and artists as well as the larger community across the country and across the world. We have many events throughout the year to strengthen that community and hopefully grow as a nation. We welcome you to our community and to any of our literary events. Until then, good luck on all of your submissions.

 
 
 

46 Comments


Gonzalezmichaelljjkw
Gonzalezmichaelljjkw
Jun 09

I've been curious about how Fourteen Hills actually selects stories — this inside look from editors and Junse Kim really clarifies the process. Would love to see the full breakdown of what they're looking for. https://deepfacelab.pro

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MERRILL TRESA
MERRILL TRESA
Jun 09

Great to see the transparency around Fourteen Hills' selection process, especially Junse Kim's insights. I've been following https://aivideomemegenerator.com

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CORTEZ JAMILA
CORTEZ JAMILA
May 27

The inside look at Fourteen Hills' selection process is eye-opening—Junse Kim's perspective really clarifies how the editors balance diversity of thought with editorial cohesion. I've been wondering https://kling-motion.com

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Khanh Chi Minh
Khanh Chi Minh
May 27

The inside look at Fourteen Hills' selection process was eye-opening — especially how Junse Kim and the editors balance diversity with academic rigor. I've been https://hy-3d.net

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terrancecart.e.r.36.0.7
May 24

kèo bóng đá hôm nay mình lướt thấy nhắc nhiều nên vào xem thử cho biết, kiểu tò mò giao diện thôi chứ không phải dân soi kèo gì. Vừa mở ra là thấy họ để phần kèo nhà cái tỷ lệ kèo bóng đá ngay trên đầu, nhìn như bảng chia cột nên quét mắt cái là nắm được kèo chính. Mình cũng thích cái cách họ cập nhật theo thời gian, kéo xuống vẫn thấy dữ liệu nhảy khá đều chứ không bị “đơ” hay rối chữ. Trên điện thoại đọc ổn, chữ không quá nhỏ, các tiêu đề mục tách ra rõ nên tìm trận đang quan tâm cũng nhanh. Nói chung không màu mè, tập trung…

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Fourteen Hills Press is staffed exclusively by graduate students in SFSU's Creative Writing program. We publish the annual Fourteen Hills: The SFSU Review and annual chapbooks. Fourteen Hills is committed to publishing the best of original poetry, fiction, literary nonfiction, and cross-genre work created by writers in the US and abroad.

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Fourteen Hills is a proud member of the Council of Literary Magazines and Presses

© 2018 by Fourteen Hills, SFSU Dept. of Creative Writing

1600 Holloway Avenue, San Francisco, CA 94132

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